{"id":5003,"date":"2019-12-27T14:36:42","date_gmt":"2019-12-27T13:36:42","guid":{"rendered":"http:\/\/lorrylesmetz-histoire.fr\/?page_id=5003"},"modified":"2019-12-27T14:36:42","modified_gmt":"2019-12-27T13:36:42","slug":"1932-06","status":"publish","type":"page","link":"http:\/\/lorrylesmetz-histoire.fr\/?page_id=5003","title":{"rendered":"Le Pays lorrain &#8211; 1937"},"content":{"rendered":"<p><a href=\"http:\/\/lorrylesmetz-histoire.fr\/?page_id=4996\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-378\" src=\"http:\/\/lorrylesmetz-histoire.fr\/wp-content\/uploads\/2017\/05\/retour.png\" alt=\"\" width=\"89\" height=\"31\" \/><\/a><\/p>\n<h2>Articles<\/h2>\n<table>\n<tbody>\n<tr>\n<td width=\"600\">AIMOND (Charles). Varennes-en-Argonne : un mus\u00e9e Louis XVI<\/td>\n<td style=\"text-align: right;\" width=\"110\">299<\/td>\n<\/tr>\n<tr>\n<td>AVRIL (Ren\u00e9 D&rsquo;), La musique en Lorraine au XVIIIe si\u00e8cle<\/td>\n<td style=\"text-align: right;\">377<\/td>\n<\/tr>\n<tr>\n<td>Bibliographie des ouvrages de Louis Sadoul<\/td>\n<td style=\"text-align: right;\">207<\/td>\n<\/tr>\n<tr>\n<td>BLACHE (Jules), Une g\u00e9ographie lorraine<\/td>\n<td style=\"text-align: right;\">166<\/td>\n<\/tr>\n<tr>\n<td>\u00ad\u2014 La structure parcellaire du terroir lorrain et le probl\u00e8me de l\u2019habitat rural<\/td>\n<td style=\"text-align: right;\">76<\/td>\n<\/tr>\n<tr>\n<td>BLUM (Andr\u00e9), S\u00e9bastien Le Clerc, cr\u00e9ateur de la vignette<\/td>\n<td style=\"text-align: right;\">244<\/td>\n<\/tr>\n<tr>\n<td>BOUCHOT (L\u00e9opold). Le ch\u00e2teau ducal de Gondreville. (\u00c0 suivre)<\/td>\n<td style=\"text-align: right;\">39<\/td>\n<\/tr>\n<tr>\n<td>BOY\u00c9 (Pierre). Le chancelier Chaumont de La Galaizi\u00e8re et sa famille (Suite) : III. Les enfants du chancelier<\/td>\n<td style=\"text-align: right;\">129<\/td>\n<\/tr>\n<tr>\n<td>\u2014 La prise de possession des duch\u00e9s de Lorraine et de Bar<\/td>\n<td style=\"text-align: right;\">409<\/td>\n<\/tr>\n<tr>\n<td>CAPUT (Pol). Nicolas Gilbert<\/td>\n<td style=\"text-align: right;\">44<\/td>\n<\/tr>\n<tr>\n<td>CHENUT (Paul). Un graveur nanc\u00e9ien au XVIIIe si\u00e8cle : Charles-Andr\u00e9 Harpin<\/td>\n<td style=\"text-align: right;\">1<\/td>\n<\/tr>\n<tr>\n<td>\u2014 S\u00e9bastien Le Clerc, graveur messin<\/td>\n<td style=\"text-align: right;\">209<\/td>\n<\/tr>\n<tr>\n<td>DACIER (\u00c9mile). De Callot \u00e0 Gillot, en passant par S\u00e9bastien Le Clerc<\/td>\n<td style=\"text-align: right;\">248<\/td>\n<\/tr>\n<tr>\n<td>DAUM (Paul). Discours prononc\u00e9 aux obs\u00e8ques du Pr\u00e9sident Louis Sadoul<\/td>\n<td style=\"text-align: right;\">200<\/td>\n<\/tr>\n<tr>\n<td>DEMANGE (L\u00e9on). Une ch\u00e8re visite<\/td>\n<td style=\"text-align: right;\">355<\/td>\n<\/tr>\n<tr>\n<td>DEUBEL (R.). Hommage au Pr\u00e9sident Louis Sadoul<\/td>\n<td style=\"text-align: right;\">193<\/td>\n<\/tr>\n<tr>\n<td>D[UVERNOY] (\u00c9[mile]), Pauline Gu\u00e8ble<\/td>\n<td style=\"text-align: right;\">357<\/td>\n<\/tr>\n<tr>\n<td>FRAN\u00c7OIS (Michel). Les princes lorrains et la guerre des Rustauds<\/td>\n<td style=\"text-align: right;\">158<\/td>\n<\/tr>\n<tr>\n<td>GODFRIN (Jean). Le bouchon sur la vague<\/td>\n<td style=\"text-align: right;\">15<\/td>\n<\/tr>\n<tr>\n<td>GRANDG\u00c9RARD (Lucien). Un grand peintre lorrain : Jules-Bastien Lepage (1848\u20111884) (suite)<\/td>\n<td style=\"text-align: right;\">49<\/td>\n<\/tr>\n<tr>\n<td>GUSSE (Georges). La touaille<\/td>\n<td style=\"text-align: right;\">45<\/td>\n<\/tr>\n<tr>\n<td>\u2014 Le teule<\/td>\n<td style=\"text-align: right;\">301<\/td>\n<\/tr>\n<tr>\n<td>HANUS (Jeanne-Fran\u00e7ois). Consultation gratuite\u2026<\/td>\n<td style=\"text-align: right;\">404<\/td>\n<\/tr>\n<tr>\n<td>LE JEAUX (Jeanne). La descendance de S\u00e9bastien Le Clerc<\/td>\n<td style=\"text-align: right;\">260<\/td>\n<\/tr>\n<tr>\n<td>LIONAIS (Georges). L\u2019di\u00e2be est mo\u00fb\u2009!<\/td>\n<td style=\"text-align: right;\">358<\/td>\n<\/tr>\n<tr>\n<td>LOSSKY (Boris). Les mois de l\u2019ann\u00e9e de La Malgrange au ch\u00e2teau de Prague<\/td>\n<td style=\"text-align: right;\">102<\/td>\n<\/tr>\n<tr>\n<td>MADELIN (Louis). Louis Sadoul<\/td>\n<td style=\"text-align: right;\">177<\/td>\n<\/tr>\n<tr>\n<td>MAHUET (Comte Antoine DE). Fran\u00e7ois-Jean-Baptiste No\u00ebl<\/td>\n<td style=\"text-align: right;\">345<\/td>\n<\/tr>\n<tr>\n<td>MAROT (Pierre). Les collections du Mus\u00e9e historique lorrain : I. Les nouveaux am\u00e9nagements<\/td>\n<td style=\"text-align: right;\">305<\/td>\n<\/tr>\n<tr>\n<td>\u2014 II. La sculpture (XIIe-XVIe si\u00e8cle)<\/td>\n<td style=\"text-align: right;\">321<\/td>\n<\/tr>\n<tr>\n<td>\u2014 Discours prononc\u00e9 aux obs\u00e8ques du Pr\u00e9sident Louis Sadoul<\/td>\n<td style=\"text-align: right;\">202<\/td>\n<\/tr>\n<tr>\n<td>MARTIN-DORGET (Charles). Discours prononc\u00e9 aux obs\u00e8ques du Pr\u00e9sident Louis Sadoul<\/td>\n<td style=\"text-align: right;\">206<\/td>\n<\/tr>\n<tr>\n<td>MONTVALON (Gabriel DE). Louis Sadoul magistrat<\/td>\n<td style=\"text-align: right;\">181<\/td>\n<\/tr>\n<tr>\n<td>NICOLAS (\u00c9mile). Louis Sadoul ami de la nature<\/td>\n<td style=\"text-align: right;\">196<\/td>\n<\/tr>\n<tr>\n<td>\u2014 Majorelle<\/td>\n<td style=\"text-align: right;\">361<\/td>\n<\/tr>\n<tr>\n<td>P. (M.). Documents arch\u00e9ologiques \u00e0 Plombi\u00e8res<\/td>\n<td style=\"text-align: right;\">359<\/td>\n<\/tr>\n<tr>\n<td>PERETTE (Julien). La terre se meurt, sayn\u00e8te villageoise<\/td>\n<td style=\"text-align: right;\">295<\/td>\n<\/tr>\n<tr>\n<td>PETITJEAN (George). La chapelle de l\u2019ancien h\u00f4pital d\u2019Arches-sur-Moselle<\/td>\n<td style=\"text-align: right;\">300<\/td>\n<\/tr>\n<tr>\n<td>PHILIPPE (Andr\u00e9). Au th\u00e9\u00e2tre de Bussang : la clairi\u00e8re aux abeilles<\/td>\n<td style=\"text-align: right;\">359<\/td>\n<\/tr>\n<tr>\n<td>SCHAMBER (Ren\u00e9). Les boquattes de Ho\u00e9ville<\/td>\n<td style=\"text-align: right;\">405<\/td>\n<\/tr>\n<tr>\n<td>TANANT (G\u00e9n\u00e9ral A.). Louis Sadoul, historien<\/td>\n<td style=\"text-align: right;\">189<\/td>\n<\/tr>\n<tr>\n<td>TOUSSAINT (Maurice). Jules Florange<\/td>\n<td style=\"text-align: right;\">303<\/td>\n<\/tr>\n<tr>\n<td>\u2014 Le long de l\u2019Ornain : Naix-aux-Forges et son pass\u00e9 gallo-romain<\/td>\n<td style=\"text-align: right;\">106<\/td>\n<\/tr>\n<tr>\n<td>TRESCH (M.). La vie litt\u00e9raire et scientifique au Luxembourg<\/td>\n<td style=\"text-align: right;\">405<\/td>\n<\/tr>\n<tr>\n<td>TROUX (Albert). La m\u00e8re Gustine \u00e0 l\u2019exposition (paysannerie lorraine)<\/td>\n<td style=\"text-align: right;\">406<\/td>\n<\/tr>\n<tr>\n<td>\u2014 La r\u00e9gion meurthoise \u00e0 la veille de la R\u00e9volution<\/td>\n<td style=\"text-align: right;\">62, 273, 391<\/td>\n<\/tr>\n<tr>\n<td>VARENNE (Gaston). L\u2019exposition de Mlle Adrienne Jouclard \u00e0 la galerie Marcel Bernheim, \u00e0 Paris<\/td>\n<td style=\"text-align: right;\">170<\/td>\n<\/tr>\n<tr>\n<td>\u2014 Gravures et dessins d\u2019Andr\u00e9 Jacque\u00admin<\/td>\n<td style=\"text-align: right;\">125<\/td>\n<\/tr>\n<tr>\n<td>WEIGERT (Roger-Armand). S\u00e9bastien Le Clerc \u00e0 la manufacture des Gobelins<\/td>\n<td style=\"text-align: right;\">230<\/td>\n<\/tr>\n<tr>\n<td>Nouvelles lorraines<\/td>\n<td style=\"text-align: right;\">47, 126<\/td>\n<\/tr>\n<tr>\n<td>Notre appel<\/td>\n<td style=\"text-align: right;\">48, 127, 174<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2>Comptes-rendus<\/h2>\n<table>\n<tbody>\n<tr>\n<td width=\"600\">BOUILLON (E.). Le menhir de Woinville (Maurice Toussaint)<\/td>\n<td style=\"text-align: right;\" width=\"110\">304<\/td>\n<\/tr>\n<tr>\n<td>G\u00c9RARD (Colonel Charles). Histoire d\u2019un village lorrain, Neuviller-sur-Moselle (\u00c9mile Nicolas)<\/td>\n<td style=\"text-align: right;\">304<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2>Planches hors texte<\/h2>\n<table>\n<tbody>\n<tr>\n<td width=\"600\">Cou\u00eat-de-Beuil (Alpes-Maritimes), peinture de Paul Malquit (en couleurs).<\/td>\n<td style=\"text-align: right;\" width=\"110\">48-49<\/td>\n<\/tr>\n<tr>\n<td>Plan de Martinvelle (en couleurs)<\/td>\n<td style=\"text-align: right;\">84-85<\/td>\n<\/tr>\n<tr>\n<td>Philibert Orry, comte de Vignory, d\u2019apr\u00e8s le tableau de La Tour<\/td>\n<td style=\"text-align: right;\">130-131<\/td>\n<\/tr>\n<tr>\n<td>Lettre de faire-part du d\u00e9c\u00e8s de Mgr Barth\u00e9lemy-Louis-Martin de Chaumont<\/td>\n<td style=\"text-align: right;\">156-157<\/td>\n<\/tr>\n<tr>\n<td>Louis Sadoul<\/td>\n<td style=\"text-align: right;\">184-185<\/td>\n<\/tr>\n<tr>\n<td>Gravures de S\u00e9bastien Le Clerc : saint \u00c9loy<\/td>\n<td style=\"text-align: right;\">210-211<\/td>\n<\/tr>\n<tr>\n<td>Profil de la ville de Metz<\/td>\n<td style=\"text-align: right;\">212-213<\/td>\n<\/tr>\n<tr>\n<td>Dessin pr\u00e9paratoire du frontispice de la \u00ab Brillante journ\u00e9e \u00bb<\/td>\n<td style=\"text-align: right;\">216-217<\/td>\n<\/tr>\n<tr>\n<td>Dessin pr\u00e9paratoire du \u00ab Sujet all\u00e9gorique du mariage de M. le duc de Bourgogne \u00bb<\/td>\n<td style=\"text-align: right;\">220-221<\/td>\n<\/tr>\n<tr>\n<td>L\u2019entr\u00e9e d\u2019Alexandre dans Babylone<\/td>\n<td style=\"text-align: right;\">228-229<\/td>\n<\/tr>\n<tr>\n<td>M\u00e9moire pour servir \u00e0 l\u2019histoire naturelle des animaux : frontispice<\/td>\n<td style=\"text-align: right;\">230-231<\/td>\n<\/tr>\n<tr>\n<td>Frontispice de l\u2019\u00c9tat pr\u00e9sent de l\u2019Empire ottoman<\/td>\n<td style=\"text-align: right;\">244-245<\/td>\n<\/tr>\n<tr>\n<td>Apoth\u00e9ose d\u2019Isis : 2e et 7e \u00e9tats<\/td>\n<td style=\"text-align: right;\">246-247<\/td>\n<\/tr>\n<tr>\n<td>Portrait de S\u00e9bastien Le Clerc<\/td>\n<td style=\"text-align: right;\">260-261<\/td>\n<\/tr>\n<tr>\n<td>Galerie Mar\u00e9chal Lyautey : Hall d\u2019entr\u00e9e du Mus\u00e9e lorrain<\/td>\n<td style=\"text-align: right;\">336-337<\/td>\n<\/tr>\n<tr>\n<td>Statues provenant du tombeau de l\u2019\u00e9v\u00eaque de Toul Jean des Porcellets de Maillane, par C\u00e9sar Bagard<\/td>\n<td style=\"text-align: right;\">342-343<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><a href=\"http:\/\/lorrylesmetz-histoire.fr\/?page_id=4996\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-378\" src=\"http:\/\/lorrylesmetz-histoire.fr\/wp-content\/uploads\/2017\/05\/retour.png\" alt=\"\" width=\"89\" height=\"31\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Articles AIMOND (Charles). Varennes-en-Argonne : un mus\u00e9e Louis XVI 299 AVRIL (Ren\u00e9 D&rsquo;), La musique en Lorraine au XVIIIe si\u00e8cle 377 Bibliographie des ouvrages de Louis Sadoul 207 BLACHE (Jules), Une g\u00e9ographie lorraine 166 \u00ad\u2014 La structure parcellaire du terroir&hellip; <\/p>\n","protected":false},"author":1,"featured_media":0,"parent":4996,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_mc_calendar":[],"footnotes":""},"class_list":["post-5003","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/lorrylesmetz-histoire.fr\/index.php?rest_route=\/wp\/v2\/pages\/5003","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/lorrylesmetz-histoire.fr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/lorrylesmetz-histoire.fr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/lorrylesmetz-histoire.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/lorrylesmetz-histoire.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5003"}],"version-history":[{"count":3,"href":"http:\/\/lorrylesmetz-histoire.fr\/index.php?rest_route=\/wp\/v2\/pages\/5003\/revisions"}],"predecessor-version":[{"id":5060,"href":"http:\/\/lorrylesmetz-histoire.fr\/index.php?rest_route=\/wp\/v2\/pages\/5003\/revisions\/5060"}],"up":[{"embeddable":true,"href":"http:\/\/lorrylesmetz-histoire.fr\/index.php?rest_route=\/wp\/v2\/pages\/4996"}],"wp:attachment":[{"href":"http:\/\/lorrylesmetz-histoire.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5003"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}